The "In-hale-ex/Inhale Exhale/In-ex hale" exhibition by Zhang Shuoyuan centers on meticulously arranged handmade face masks crafted from folded landscape paintings. The showcase immerses viewers in an open gallery space, intentionally contrasting the traditional cleanliness with an abundance of masks that symbolize the environmental repercussions of improperly discarded single-use plastics.

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Exploring the theme of symbiosis and breathing, the exhibition delves into environmental issues, highlighting the interplay between materialistic culture and its impact on nature. Rooted in contemporary global events, the work prompts contemplation on urgent environmental challenges stemming from disposable materials, particularly face masks used during the pandemic.

The artist's examination of disposable masks underscores their short lifespan, widespread consumption, and the resulting generation of substantial waste. Notably, the work draws attention to the staggering estimate of 89 million masks required monthly for the COVID-19 response, emphasizing the potential environmental consequences if not handled responsibly. Instances of mask litter in oceans and along highways underscore the tangible impact of improper disposal.

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The description of the artwork outlines the use of blank, white rice paper symbolizing nature, in stark contrast to the manufactured materials of disposable masks. The intricate process involves painting abstract landscapes on folded rice paper, mirroring medical masks and portraying potential post-use scenarios. The work serves as a compelling call for viewers to reconsider their actions regarding waste.

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The incorporation of traditional Chinese ink and wash media in contemporary art contributes to the evolving aesthetics of ink and wash, symbolizing a connection between tradition and modernity. The abstract expression of landscapes serves as a visual reminder of the environmental damage caused by human pollution.

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In conclusion, the "In-hale-ex/Inhale Exhale/In-ex hale" exhibition encourages viewers to acknowledge their responsibility in fostering a symbiotic relationship with the environment. The use of disposable masks serves as a poignant metaphor for human carelessness, advocating for a return to harmony between humans and nature. Drawing inspiration from Daoist principles and referencing Karl Marx's concept of metabolism, the exhibition underscores the imperative need to overcome selfishness and pursue the coordinated development of humanity and the natural world.

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